The passage below is accompanied by a set of questions. Choose the best answer to each question.

 

New Journalism, American literary movement in the 1960s and ’70s that pushed the boundaries of traditional journalism and nonfiction writing. The genre combined journalistic research with the techniques of fiction writing in the reporting of stories about real-life events. The writers often credited with beginning the movement include Tom Wolfe, Truman Capote, and Gay Talese.

As in traditional investigative reporting, writers in the genre immersed themselves in their subjects, at times spending months in the field gathering facts through research, interviews, and observation. Their finished works were very different, however, from the feature stories typically published in newspapers and magazines of the time. Instead of employing traditional journalistic story structures and an institutional voice, they constructed well-developed characters, sustained dialogue, vivid scenes, and strong plotlines marked with dramatic tension. They also wrote invoices that were distinctly their own. Their writing style, and the time and money that their in-depth research and long stories required, did not fit the needs or budgets of most newspapers (a notable exception was the New York Herald Tribune), although the editors of Esquire, The New Yorker, New York, and other prominent magazines sought out those writers and published their work with great commercial success. Many of those writers went on to publish their stories in anthologies or to write what became known as “nonfiction novels,” and many of those works became best sellers.

The New Journalists expanded the definition of journalism and of legitimate journalistic reporting and writing techniques. They also associated journalism with fiction when they described their work with phrases such as “nonfiction novel” and “narrative techniques of fiction.” In so doing, they ignited a debate over how much like a novel or short story a journalistic piece could be before it began violating journalism’s commitment to truth and facts.

Some observers praised the New Journalists for writing well-crafted, complex, and compelling stories that revitalized readers’ interest in journalism and the topics covered, as well as inspiring other writers to join the profession. They feared that reporters would be tempted to stray from the facts in order to write more dramatic s Others, however, worried that the New Journalism was replacing objectivity with a dangerous subjectivity that threatened to undermine the credibility of all journalism stories, by, for example, creating composite characters (melding several real people into one fictional character), compressing dialogue, rearranging events, or even fabricating details. Some New Journalists freely admitted to using those techniques, arguing that they made their stories readable and publishable without sacrificing the essential truthfulness of the tale. Others adamantly opposed the use of those techniques, arguing that any departure from facts, however minor, discredited a story and moved it away from journalism into the realm of fiction.

In engaging in the debate over what counts as truth in journalism, the New Journalists were contributing to a wider discussion of the nature of truth and the ability to know and present it objectively in stories, paintings, photographs, and other representational arts. Their works challenged the ideology of objectivity and its related practices that had come to govern the profession. The New Journalists argued that objectivity does not guarantee the truth and that so-called “objective” stories can be more misleading than stories told from a clearly presented personal point of view.

What meaning of ‘anthologies’ could be derived after reading the following lines “Many of those writers went on to publish their stories in anthologies...”?

Option 1 -

A published compilation of stories

Option 2 -

Writing stories occasionally

Option 3 -

Writing stories occasionally

Option 4 -

Writing stories occasionally

0 1 View | Posted 3 months ago
Asked by Shiksha User

  • 1 Answer

  • A

    Answered by

    alok kumar singh | Contributor-Level 10

    3 months ago
    Correct Option - 2


    Detailed Solution:

    As the lines suggest, that the author is willing to write more than one story, so it gives the hint about the collection of many stories in one book or novel. Hence, first option is the best choice here.


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Tens of thousands of years ago, a huge horse species walked, trotted and galloped across the shifting sands of what is today South Africa’s Cape south coast.
The Giant Cape Zebra (Equus capensis) weighed an estimated 450 kg. Its extant relatives in southern Africa are far smaller: the plains zebra weighs between 250 and 300 kg and the Cape mountain zebra is the smallest of all zebra species, with a mass of between 230 and 260 kg.
The Giant Cape Zebra became extinct just over 10,000 years ago. This may have been partly because of the loss of its preferred habitat of extensive grasslands, as rising sea levels flooded the vast Palaeo-Agulhas Plain. But until now it hasn’t been clear how common the species was on the Cape south coast because its body fossils are predominantly from southern Africa’s west coast.
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Tens of thousands of years ago, a huge horse species walked, trotted and galloped across the shifting sands of what is today South Africa’s Cape south coast.

The Giant Cape Zebra (Equus capensis) weighed an estimated 450 kg. Its extant relatives in southern Africa are far smaller: the plains zebra weighs between 250 and 300 kg and the Cape mountain zebra is the smallest of all zebra species, with a mass of between 230 and 260 kg.

The Giant Cape Zebra became extinct just over 10,000 years ago. This may have been partly because of the loss of its preferred habitat of extensive grasslands, as rising sea levels flooded the vast Palaeo-Agulhas Plain. But until now it hasn’t been clear how common the species was on the Cape south coast because its body fossils are predominantly from southern Africa’s west coast.

That’s where ichnology – the study of tracks and traces – comes in. Since 2007 our team has documented more than 350 fossil vertebrate tracksites along a 350 km stretch of the Cape south coast.

Now, by studying the tracks left by those galloping, walking and trotting zebra so long ago, we’re able to say that they must have been a fairly regular sight on the landscape of the Cape south coast, and were more common than was suggested by the body fossil record in the area. This confirms the capacity of the body fossil record and ichnology to complement each other.

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In our recently published article, we described how we have identified 26 equid tracksites – including tracks belonging to Equus capensis – in aeolianites (cemented dunes) on South Africa’s Cape south coast in the vicinity of towns like Still Bay and Plettenberg Bay.

This is especially exciting because equid tracks dating to the Pleistocene epoch, which started 2.6 million years ago and ended about 11,700 years ago, are rare. In fact, our finds mean that the Cape south coast accounts for the majority of the sites known globally from this time period (other sites are in Kenya, Ethiopia, Italy, the Arabian Peninsula, and the Americas).

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How we as human beings develop cognitively has been thoroughly researched. Theorists have suggested that children are incapable of understanding the world until they reach a particular stage of cognitive development. Cognitive development is the process whereby a child’s understanding of the world changes as a function of age and experience.
No theory of cognitive development has had more impact than the cognitive stages presented by Jean Piaget. Piaget, a Swiss psychologist, suggested that children go through four separate stages in a fixed order that is universal in all children. Piaget declared that these stages differ not only in the quantity of information acquired at each, but also in the quality of knowledge and understanding at that stage Piaget’s four stages are known as the sensorimotor, preoperational, concrete operational, and formal operational stages.
The sensor motor stage in a child is from birth to approximately two years. During this stage, a child has relatively little competence in representing the environment using images, language, or symbols. An infant has no awareness of objects or people that are not immediately present at a given moment. Piaget called this a lack of object permanence. Object permanence is the awareness that objects and people continue to exist even if they are out of sight.
The preoperational stage is from the age of two to seven years. The most important development at this time is language. Children develop an internal representation of the world that allows them to describe people, events, and feelings. Children at this time use symbols, they can pretend when driving their toy car across the couch that the couch is actually a bridge. Children in the preoperational stage are characterized by what Piaget called egocentric thoughts. The world at this stage is viewed entirely from the child’s own perspective. Thus a child’s explanation to an adult can be uninformative. Three-year-olds will generally hide their face when they are in trouble--even though they are in plain view, three-year-olds believe that their inability to see others also results in others’ inability to see them. A child in the preoperational stage also lacks the principle of conservation. This is the knowledge that quantity is unrelated to the arrangement and physical appearance of objects. If you put two identical pieces of clay in front of a child, one rolled up in the shape of a ball, the other rolled into a snake, a child at this stage may say the snake piece is bigger because it is rolled out.
The concrete operational stage lasts from the age of seven to twelve years of age. The beginning of this stage is marked by the mastery of the principal of conservation. Children develop the ability to think in a more logical manner and they begin to overcome some of the egocentric characteristics of the preoperational period. One of the major ideas learned in this stage is the idea of reversibility. This is the idea that some changes can be undone by reversing an earlier action. An example is the ball of clay that is rolled out into a snake piece of clay. Children at this stage understand that you can regain the ball of clay formation by rolling the piece of clay the other way. Children can even conceptualize the stage in their heads without having to see the action performed. The formal operational stage begins in most people at age twelve and continues into adulthood. This stage produces a new kind of thinking that is abstract, formal, and logical. Thinking is no longer tied to events that can be observed. A child at this stage can think hypothetically and use logic to solve problems. It is thought that not all individuals reach this level of thinking.
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The concrete operational stage lasts from the age of

 

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Refer to the first lines of the penultimate paragraph.

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